JULY 2004 PLAY LIST

 

1) So Long Angel  Falling”  Altar Records

 solongangel.com

Click to visit their own websiteWith their new album “Falling”, So Long Angel have brought  the full range of their musical experience to bear on an album that sparkles with superb songs, great playing and first class production values.

 

A smouldering mix of subtle blues, and r&b tinged with jazz might not grab the casual listener as cutting edge material. But from the powerful undulating funk and meaningful mixed metaphors of the opening “Who Were You Calling”, and the reggae back beat of the magnificent “Rhythm & Blues”, So Long Angel set a standard that few of their recorded contemporary peers can match

 

“Falling” is an album that features a delicate but thoroughly assertive vocal performance by bassist Fran McGillivray, while band members take it in turn to impress with cool solos and sophisticated arrangements. Saxman Mike Paice for example leads from the front on the late night sophistication of “Ecstasy, a number beefed up with layered synth accompaniment from Roland Kemp.

 

The crisp tick-tock percussive pattern of drummer Roger Nunn underpins another impressive Michael Burke/Fran McGillivray composition, the funky “Hard Working Woman” .

 

Rarely can an independent blues record have been as well thought out and produced as this. And given the peerless playing and inspirational groove, the band impress throughout whether on their jazzier output such as “Closer To Midnight” or the closing Tony Joe White influenced swamp blues of “Go”, which finishes in a lovely flurry of Michael Burke’s guitar dynamics.

This album is one of the delights of the year. Let nothing stand in your way to purchasing it!

Here is a medley of audio clips from
Falling:
Broadband
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Cell Phone Blues; Ecstasy; Hard Working Woman; Closer To Midnight
Broadband
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2)  BLANCHE “If We Can’t Trust The Doctors” Loose Music

blanchemusic.com

 

BlancheHow to approach an album like this? Turn down the lights, imagine a road movie yet to be made, and file under a gothic slice of fractured Americana

More simply Blanche are perhaps better understood as the latest alt.country Americana Garage rockers from Detroit, with a David Lynch take on life, previously similarly explored by the likes of Giant Sand and the Handsome Family, and before that Camper Van Beethoven

 

The title track in fact comes very close to Dead Can Dance, and in a sense mines a musical territory that is far from new, but ultimately it’s just the clever juxtaposition of styles that impresses.

The big guitar intro and banjo of  So Long Cruel World”” are as imposing as Dan John Miller’s vocals which somehow manage to combine real presence with a paranoid edge. The elements are beautifully wrapped up and resolved in a sweeping chorus. The same insistent vocals work equally well on the caustic “Garbage Picker”, and there’s a fine duet with Tracee Miller on “Another Lost Summer”, a number that burst from its rustic beginnings to a climactic sweep and before going back to its country roots.

 

Blanche are a band full of contradictions, musical twists and turns and dense but hugely interesting lyrics as on “Jack On Fire”. This is one hell of an album, that gives you more with repeated listening. Click here to view the video of "Do You Trust Me"

Here is a complete track from
If We Can't Trust The Doctors:
Broadband
(CD quality)
Dial-Up
(AM radio)
Summer
Broadband
Dial-Up

 

3) GRAHAM FOSTER “The Best of Graham Foster  web site release

besonic.com/BeSonic/User/0,4675,g0r0l0t0o0i77900,FF.html

 

Long time live music fans in the capital will recognise Graham Foster as the magnificent guitarist who was a mainstay with Little Sister, one of the very best bands to emerge from the late 80’s Club/Pub Rock scene.

And as this “Best of” album suggests, it’s well over decade since Graham left these shores for Spain.

In fact this compilation is culled from three solo albums, the 1993 “Solid” album, Graham Foster’s Night Train “Blue Rhythm”, recorded in ’95, and the relatively speaking more recent “Bassman Tapes” (1999).

 

From the self explanatory opener “Going To Valencia”, Fosters suggests his guitar chops are still in good order, albeit in a Mavericks style context, while “Technology Vs; People” is as close a he gets to Paul McCartney in terms of vocal phrasing and use of vocal harmonies. Graham also rocks out on the previously unreleased “Solid Ground”, complete with some steely guitar work.

The earlier years tracks find Graham in tandem with British muso expats, drummer Geoff Briton  and bass man Steve Emery, while by the time of “Solid Ground”, and fellow rocker “Angeline” he is backed by a fine rhythm section of Tony Moncho (who later swaps to guitar for Brad Marriner to take over on bass duties) and Juan Alandete on drums Once on guitar Salvador Moncho joins in the guitar antics to great effect.

Ultimately Graham Foster was always a mix of fine song writing sensibilities and fiery guitar, no better exemplified than on “Night Train”, while his anthemic song writing is at its best on  the post Springsteen “Don’t Give Up”.

 

In short, this compilation is everything a long time fan would have hoped for, and the set closes with a trademark guitar led blues “One More Shot of the Blues”, a fine finish to a cracking set of 17 examples of the “Best of” Graham Foster.

Here are some audio clips from
Graham Foster:
Broadband
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Dial-Up
(AM radio)
Night Train
Broadband
Dial-Up
Restless Age
Broadband
Dial-Up
Solid Ground
Broadband
Dial-Up

 

 

4) ROADHOUSE   No Place To Hide”   Blues Matters Recods

roadhousegb.co.uk

 

I’m delighted to report that since this album burst on to my playlist, it has been heard on over 30 radio stations world wide (see news update on the web site). Delighted, because there is real quality in the song writing department, and some searing guitar work, and fine vocals to boot.

The title track sets the standard with a riff driven momentum, full of great harmonies and a killer hook, while the following lyrically doomy “Slip Away” employs an awesome toned guitar refrain to push things along. “Lost Along The Way” offers a slice of Americana , full of light and shade, while “Brooklyn Bridge” gives both Anne Campbell and Lorna Reilly the chance to impress on vocals.

There’s so much to admire from the swampy “Blue Bayou” to the very west coast sounding “Couldn’t Get To Sleep Last Night”.

Roadhouse have been going for about a dozen years, and have recorded roughly half a dozen albums or more, but this surpasses all before it, and fully deserved its international radio airplay.

Here are some audio clips from
No Place To Hide:
Broadband
(CD quality)
Dial-Up
(AM radio)
Lost Along The Way
Broadband
Dial-Up
Couldn't Get To Sleep
Broadband
Dial-Up

 

5) LIGHTNIN WILLIE & The POORBOYS  Got Live If You Want It”  1-4-5 Records

lightninwillie.com

movinmusic.co.uk/lightnin_willie_poorboys

Essentially this is a live album released in the memory of Lightnin Willie’s late harmonica player, and great friend, Shakey Jake. So in a sense it is not a new album. That said, this live album, apparently recorded on a recent New Years Eve in Greenville, South Carolina, gives you a realistic idea of both how good the band was, how irreplaceable Jake is,  (albeit Willie’s current tour band takes some beating) and above all just how much Lightnin’ and the boys can swing.

 

While “Take A Little Walk” and “Don’t Let Go” and “Eyes In The Back of Your Head” remain at the core of the current band, there are a handful of reworked covers  like the shuffled up SRV “Pride & Joy” and the harp led “Turn On Your Love Light” that delight the packed club. Jake also busily works the crowd on the mambo style “Loved Another Woman, as Willie fires off some tough licks

 

If you catch Willie’s current extensive UK tour, you will be very, very impressed, but as this album suggests he built his current band on great foundations. Texas swing blues never sounded so good.

 

 

6) DOC FINGERS BLUES BAND  In The Pocket”  Radiatin’ 88’s Productions

exposureentertainment.com/dcfingr.html

Doc FingersDoc Fingers hails from Vancouver, Canada, plays piano, organ, sings, fools around  and fronts a cool, cool blues band who are happiest exploring a mix of shuffles, boogie, New Orleans blues, and funk.

 

In short, Doc Fingers fronts a classy outfit, with guitarist Lindsay Mitchell also impressive on both rhythm and lead. Doc himself leans into his blues with a smoky voice and fine sense of dynamics when it comes to soloing.

 

For a pianist of such standing it’s surprising that he doesn’t really feature on his own until the barrel house piece that is “Sid’s Stomp”.

 

The band swing with abandon on both “Can’t Stop Loving You”, and the impressive “Reighty-8” on which drummer Chris Nordquist pound his skins with the best of them, and Doc takes a lovely solo. There a slice of old New Orleans on a fine reading of “Cakewalk Into Town”, and the band positively jump on “Can’t Take It No More”. Doc is content to take a few lines, but the piece is like a wound up tight, spring coil, and guitarist Mitchell soon adds i a telling couple of guitar lines. Doc Fingers is a fine player who looks set to tour the UK in November, and on the evidence of this album, lets hope he brings his band with him. File under good stuff!!

Here are some audio clips from
In The Pocket :
Broadband
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Dial-Up
(AM radio)
Reighty-8
Broadband
Dial-Up
Can't Take It No More
Broadband
Dial-Up

 

 

7) THE NEUTRONS  Blackhole Star”/ “Tales from The Blue Cocoon”  BGO Records

bgo-records.com

A superb double re-issue album by one of the most impressive Man spin off bands of the 70’s.

Anyone familiar with legendary Welsh rockers Man, will be aware that keyboard player Phl Ryan and bass player Will Youatt were involved in arguably the two most impressive Man related bands, the one album, Alcatraz and the two album career that was the Neutrons.

 

It’s an unbelievable 25 years or more since I heard either of these albums, yet the use of synths apart, the music remains as compelling now as at the time.

 

The band’s psychedelic sweep took in elements of funk, guitar led aural landscapes and a set of songs that owed much to early 70’s hippy idealism.

 

 But the music on its own sways things favourably.  Listen to the keyboard guitar interplay over the funky back beat of “Living in The World Today”, and the similar subtleties of the instrumental “Dangerous Decisions”, or the epic feel of “Come Into My Cave” as well as the extended outing “Welsh R Blunt or The Dexedrine Dormouse” – both from the second “Cocoons” album - to catch the best of a quality band.

 

In between the virtuoso playing there are several acoustic outings including the beautiful Martin Wallace penned “Feel” and delicate Will Youatt effort “L’Hippie Nationale”.

The Neutrons were indeed a hippy band, and of their time, but as this double pack with a fine bonus track suggests, they are a forgotten treasure, ready to be re-discovered.

 

8) ETHAN DANIEL DAVIDSON  Don Quixote De Suburbia”  Times Beach Records

ethandanieldavidson.com

 

Passion goes along way in the world of song writers and Roots Rock. So it is with Ethan Daniel Davidson, who appears to hail from Detroit, the home of a whole new crop of alt.country artists who while paying homage in their music to the likes of Dylan, readily cross over to embrace Roots Rock (see Blanche above).

While Ethan has been accurately described as a contemporary version of Woody Guthrie, offering a compelling mix of politico post George Bush protest songs with some heartfelt love songs, he can also rock out in a ragged way as on the caustic “Kill All Pop Songs”. He’s also not averse to using contemporary trickery to put across his politics on the funky rap, the hugely impressive “Ghosts of Mississipi” and the Lou Reed sounding “Only One World Blues” – a number that warrants listening to just to cacth so,e great half rhymes.

For  the stripped down emotive folk song “The World Turned Upside Down”, Ethan has printed the lyrics on the inside of the CD cover, a smart move given the thoughtful lyrics to a powerful song, that is given added pith by a Neil Young style harp.

The contemporary troubadour is still alive , and in the case of Ethan Daniel Davidson he comes armed with biting lyrics concerning the world we live in, a case of making the unfashionable, fashionable again!

Here are some audio clips from Don Quixote de Suburbia:
Broadband
(CD quality)
Dial-Up
(AM radio)
Kaldonia
Broadband
Dial-Up
Only One World Blues
Broadband
Dial-Up
World Turned Upside-Down
Broadband
Dial-Up

 

9) BOBBY STRANGE “Reach Deeper” 4 track CD EP Rising Records

bobbystrange.com

 

Bobby StrangeWell worthy of a second month on the play list. Bobby’s songs go right to the core, with their raw gut honesty, and real feel. This man has the the words to express what thousands feel.

The title says it all really. Rarely has an album been so imbued with naked emotion as Bobby’s 4 track debut CD.

“Find It Yourself” is the kind of plaintive love song that given enough airplay could launch this Asbury Park singer song writer of rare talent, and descriptive precision.

The following “Without it Within” is a more muscular band arrangement, complete with up in the mix, back up singers and a killer hook. But as with all Bobby’s work, it’s the lyrics that are crucial. He offers simple philosophy of “Life on the road, without a map of where to go’ etc., but his unique mix of croaking voice, effective phrasing and ironic humour as on “Shut Up & Sing” all hit base.

In a world or formulaic radio airplay, and vacuous singer song writers with little or no gravitas, Bobby Strange is a self deprecating performer whose, awkward style is nearly a brilliant as Randy Newman. He has the songs, the voice, the off kilter style, and this wonderful 4 track intro. The closing opus “You’d Better Think Again", sits nicely on a John Lennon style piano line, topped by some biting lyrics every bit as sharp as the late great Liverpudlian.

Bobby Strange: a strange name, a rare talent, and one to watch.

Here are some audio clips from
Reach Deeper:
Broadband
(CD quality)
Dial-Up
(AM radio)
Find It Yourself
Broadband
Dial-Up
Without It Within
Broadband
Dial-Up
You'd Better Think Again
Broadband
Dial-Up

  

10) “Super 70’s Rock” Compilation   Virgin Records

As advertised this is “3 CD’s of original songs by original artists”. Suffice it to say that the early 70’s is represented by the likes of Family, Deep Purple, Mott The Hoople, Free, Golden Earing, Jethro Tull and Focus, while ELO, and  Fleetwood Mac feature as you move through the 70’s, into the era of Patti Smith, Elvis Costello and several loveable forgotten gems from the likes of Motors, Chris Spedding and even Can. Of course there are opportunities lost, probably due to licensing squabbles, but on balance this is a great 3 CD set.

 

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